Birendra Pratap Singh
Born in 1955 in Kathmandu, Birendra Pratap Singh pursued his passion for art by studying graphic printmaking at Lalitkala Academy in India and earning a B.F.A. in painting from Banaras Hindu University. With a career spanning over four decades, he has exhibited his works in ten solo exhibitions in Nepal and India, alongside numerous other showcases both domestically and internationally. Beyond his contributions as a painter and printmaker, Singh has also worked as an artist at Gorkha Patra Sansthan in Kathmandu, served as an illustrator, and shared his expertise as an assistant lecturer at Nepal Fine Art Campus, Tribhuvan University.
His dedication to his art has solidified his position as a prominent figure in Nepal’s contemporary art scene.
The artist is particularly regarded for his black and white (or monochromatic) pieces, whether it’s printmaking, drawing or painting. His black-and-white compositions, though two-dimensional, create an illusion of movement and depth, drawing viewers into an immersive experience. His seemingly haphazard yet calculated lines resonate with the mind’s thought process, forming a connection that goes beyond mere visual appreciation. Much like overlapping thoughts that eventually shape memories, his vibrating lines take the form of monuments and heritage sites, reflecting Nepal’s cultural and historical landscape. His work captures both harmony and discord, mirroring the nation’s evolving relationship with its past and present.
A man who deeply values solitude, Singh’s art serves as an expression of his inner world, transforming his introspection into a dynamic, visual experience. His sketches and paintings, with their melting and fluid-like quality, encapsulate the essence of fleeting emotions and collective memory. The psychological depth in his work is a result of years of dedication and sincerity to his craft, making his pieces not just visually compelling but also deeply thought-provoking.
Golden Temple of Patan
Landscape of Kastamandhap
Landscape of Patan
Man and Woman
Pulling Myself Out of Me
This sculpture captures the struggle of breaking away from one’s own , The figure that is emerging from it’s own head, represents the desire to separate from a fixed state of thought, to step outside personal limitations, and to see oneself from a new perspective. The raw texture and expressive form shows the intensity of this inner battle.
The act of pulling away symbolizes self-exploration, breaking free from past identities, emotions, or mental tensions. It reflects the human need for growth, transformation, and clarity. The surface adds depth, suggesting that this process is both painful and necessary.
“Pulling Myself Out of Me” invites viewers to reflect on their own moments of self-question, reminding us that sometimes, stepping outside our own mind is the first step toward true freedom.
Back to the Reality
This sculpture, titled “Back to the Reality,” gives a surreal feeling. A figure emerges from the wall, frozen between two realms, caught in the tension between illusion and reality. The metallic surface gives it an ancient, almost mythical presence.
With a serious face, curved horns, and a body that appears only partially formed, the figure conveys struggle and resistance. Its outstretched hand, reaching forward , intensifies the drama, symbolizing the inner conflict of leaving behind illusions or confronting harsh truths. The horns add layers of meaning, perhaps representing inner demons, temptation, or mental tensions reclaiming their place in reality.
This sculpture is a powerful reflection on identity, change and the process of facing reality. It teaches us to question our own transitions in life, the illusions we hold onto, and the truths of life.
The Kiss
This expressive sculpture captures a intimate moment between two figu that speaks of love and connection. Their bodies merge in a dynamic composition, evoking the intensity of a shared kiss. The texture of the material contrasts with the tenderness of the moment, symbolizing both the strength and vulnerability found in love.
The posture of the figures suggests movement, as if drawn together by an unseen force, emphasizing the deep emotional bond between them. The earthy, surface adds a timeless quality, making this piece not just a representation of affection but a reflection of human longing and unity. “The Kiss” invites viewers to feel the warmth and passion, reminding us of the universal power of love.